Creative artists public service program

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Do you know the scoop? Both works involved and challenged the viewers to reflect on current situations of immobility and access. Whilst 'The Long Poem' considered the timeless construction of human-built boundaries, ' Happy Home ' focused on the borders of the home, recently re-discovered during the lockdown period.

In July, Heritage Space hosted the film night ' The Space in Between ,' sharing the latest documentary about the artistic exploration of performance artist Marina Abramovic. A very special event that was joined by Marina via Zoom, the night showing was a unique occasion for the public of Hanoi to interact with the infamous and internationally celebrated performance artist from her base in New York.

As each performance developed different uses of the space, viewers were able to be immersed in the artists' atmospheres as these alternative stage compositions invited spectators to experience works in non-traditional formats. The music industry, much like most of the creative arts in Vietnam, has been strongly affected by the pandemic period. With venues closing both temporarily and permanently and difficulties transitioning to a paid online format, musicians of Hanoi have had to exercise patience until public gatherings and sustainable platforms were once again available.

Hopefully, the success of "Culture Lab" has highlighted the need for such environments of experimentation and presentation, and with an eager audience now accustomed to a regular and varied program, we hope to see the initiative continue well after the pandemic is resolved. Each Monday evening until the end of the year you can participate in one of the "Culture Lab" activities.

I want it to be a rallying cry to keep fighting for systemic change, more resources for our communities and our shared futures. This work is a vibrant reminder of the beauty and resilience of our people. We have been here and we are not going anywhere.

We are here to speak. We are here to stand. We are here to stay. Their preservation by museums extends that line of inquiry into new spaces and systems.

Following a continued rise in anti-Asian bias attacks across the U. Using what she learned, Weist integrated city protocols and resources into the making of the prints, triggering regulations requiring that the artworks be kept and made available alongside other government records from By inviting people to access the pieces through government systems, Weist encourages her audience to consider the contemporary and historic records maintained by the City of New York as an alternative form of public space.

All three acquisitions were gifts of Seth Stolbun and the Stolbun Collection.