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By the time of 's Satyricon, which contained some of the group's most overtly political lyrics, MBM had developed a major following within the techno and rave community, having influenced leading acts like the Prodigy and the Future Sound of London.

The dense, danceable material surprised many critics used to the duo's previous work, and the singles received good reviews. Dangers and Stephens left Perennial Divide by and recorded an album that same year — using a touring group of up to 13 members for occasional live shows.

The tapes were damaged in a fire, so the two recorded Storm the Studio a year later. Just as dense and sample-heavy as the first singles, Storm the Studio — no need to explain the title — included multiple versions of three of them as well as additional track "Strap Down," encompassing high-energy dub, hip-hop, and noise rock. With an American deal through Wax Trax! The duo moved to the San Francisco area soon after, and formed a rough political collective with the members of Consolidated and the Disposable Heroes of Hiphoprisy.

That same year, Wax Trax! Non-album single "Helter Skelter" appeared the same year; its oft-sampled B-side, "Radio Babylon," became a major influence on breakbeat techno and jungle. When Dangers and Stephens moved to major-label Elektra in , the duo finally shook the industrial tag that had stuck with them previously. Instead, the media christened the follow-up, Satyricon, a techno album, due to both the duo's tour of the U. What else can I say that has not already been said?

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