Bus tools

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Some restrictions apply. Keep your School Bus on the road. No Annual Subscription Renewal. Diagnostic Tool Powerful diagnostic tool with all the bus coverage via wireless to get access to vehicle computer. Playback engine settings really come down to the performance you would like from your system.

Increasing the buffer size for example will give you a more stable playback but will also come with the issue of lag on your inputs when recording. Things like CPU usage can of course be upped but that comes at the cost of putting pressure on your system which could result in unstable crashes. Each of the values and options can be found in the Pro Tools documentation which may help you further?

First off thanks for the great articles, im enjoying them: im new to this thing and am trying to record a video with quicktime while using audio from my eleven rack instead of the built in mic. For some reason with the protools aggregate io selected as an input in quicktime I have no signal coming in therefore i downloaded sunflower and am using that as medium between quicktime and pro tools. Theproblem is that since i am not using thr main out i cannot monitor what im playing, i thought bussing would solve my problem but it seems i can only send one track via the bus to aux which goes to the main out!

Can you point what im doing wrong? Also one curiosity, why the need for the bus when you can send the track directly to the aux input?

Great to hear you like the website and thanks for stopping by! In answer to your second question I presume you are asking as to why I set the output of the tracks to an Aux track as opposed to using Aux sends? After doing this, my panning is no longer working. Some tracks panned Left or Right are now Centered. How do I fix this? Could you explain a little more about your issue?

I have done all these but my aux track faders are greyed out so I am not getting signal into them. I have PT 10 Thanks,.

Greyed out faders usually mean that they are inactive so they will not take or process any signals, have you tried right clicking the track and making them active again? Your email address will not be published. While this tutorial in particular will reference using vocal tracks, the same process can be used within your Pro Tools session on anything you like whether it be to create a drum bus or even a sub-master fader to control the level of your mix before it hits the master fader… Why Use Busses?

Quick Tip: The bus names can be changed by double clicking on the text field Creating The Bus Input We now need to create the track which will receive the signals we are going to send via the bus. Routing To The Bus Now we are simply left with the task of routing the required tracks to the newly created aux track. Well this is where that will finally come in to play… Set the Input of the newly created track to the bus you created earlier as shown below.

Making Use Of The Bus So there you have it you have created and applied a bus within Pro Tools, as mentioned at the beginning of this tutorial, this will now allow you to control the level of the combined bussed tracks from a single fader. Final Words We hope you have enjoyed this tutorial and that it will help you during your future productions. Tags: setup. Many Thanks, John Reply. Request A Quote. Contact An Expert. Get Support.

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